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Exoplanet (Gliese 581 g), 2013
Source unknown, 2046
Archival Matte Print

When species evolve to their surroundings, they are constrained by the environment that nurture them. The idea of finding alien lifeforms is often romanticised by the idea of scientific exploration. As illustrated by the edited visions of galaxies from the Hubble Space telescope, that filter their formations in terms of colored filters. To make them appear as grand colorful compositions that parade a spectacle of beauty. Or editing the surface of Mars to make it appear ‘redder’. Because that is what the public expect. The universal ‘tourist’ photo.

We articulate life on other planets as either micro, single life forms or as complex lifeforms. All are in strict competition with the resources that we share in the universe. 

But the chances are that whether micro or macro, these life forms will share one inherent quality that we cannot escape from. The certainty that their survival depends on slowly changing to their environment and that the universe is occupied by life that inevitably suffers from extinction as a result of ‘bad luck’. 

We can conclude that just as our environment is hostile to the many forms of life that have faced extinction on our own planet. We must always pragmatically view any major change as potentially dangerous. Trial and error is not to be gambled. Any other form of life must be treated as being more dangerous as it is benign. Even if that life form is complex and reveals friendly intentions. We are caught in a catch 22 of expecting that undesirable results may still result from those with good intentions.

Chances are, whether basic or complex, the universe is inherently formulated with the same restrictions that make survivalism paramount over anything else. Any other view is recreational and wishful thinking. And that the landscapes and environments that support any form of life. Are going to be hostile and impossible to inhabit.

Chaology no. 1Tess Hurrell20 x 24 inch silver gelatin printsTess Hurrell Chaology Series

Chaology no. 1
Tess Hurrell
20 x 24 inch silver gelatin prints

Tess Hurrell Chaology Series

Photograms, 2013

jukeboxboombox:

Plastic Light, 10/6. September 2012.

jukeboxboombox:

Plastic Light, 10/6. September 2012.

Wild is the process that surrounds us all
— Gary Snyder

Still Life Study 2012

➜ Kim Keever

Thanks to childishmonster for the serendipitous find on your tumblr site. Exactly what I was looking for.

Pieter HugoGabazzini ZuoEnugu, Nigeria, 2008

Pieter Hugo
Gabazzini Zuo
Enugu, Nigeria, 2008

Rafael GoldchainSelf-Portrait as Naftuli Goldszajn1999-2001 

Rafael Goldchain
Self-Portrait as Naftuli Goldszajn
1999-2001 

Paula Rego The Family1988Acrylic on canvas backed paper213 x 213 cm 

Paula Rego 
The Family
1988

Acrylic on canvas backed paper

213 x 213 cm 

The day will come when all the modern nations will adore a sort of American god, about whom much will have been written in the popular press; and images of this god will be set up in the churches, not as the imagination of each individual painter may fancy him, but fixed, once and for all, by photography. On that day civilization will have reached its peak, and there will be steam-propelled gondolas in Venice.
Edmond de Goncourt 1861
Manga Khan, 2012

Manga Khan, 2012

Christy LangerVernal Emergence, 2007 | 4.5 x 13 x 4.5 in.resin, fibre-glass, oil paint

Christy Langer
Vernal Emergence, 2007 
| 4.5 x 13 x 4.5 in.
resin, fibre-glass, oil paint

Christy LangerSevens, 2008 | 10.5 x 39 x 14.5 in.resin, oil paint
For visual diary

Christy Langer
Sevens, 2008 | 10.5 x 39 x 14.5 in.
resin, oil paint

For visual diary

Dora MaarUntitled (Oneiric)Printed 1935Photographic Montage 

Dora Maar
Untitled (Oneiric)
Printed 1935
Photographic Montage 

THEME BY PARTI